C. and E. Gordon, Art and the Nation. The Mask, pp.6-15, 1912.

C. and E. Gordon, Books and Theatres, Toronto: J.M. Dent & Sons Ltd, 1925.

C. and E. Gordon, Catalogue of Etchings Being Designs for Motions, 1908.

C. and E. Gordon, An Easy Book on the Theatre. Unpublished manuscript, 1922.

C. and E. Gordon, Unpublished manuscript. Paris: Bibliothèque Nationale de France, 1950.

C. and E. Gordon, Franc (Org.). On the Art of the Theatre

C. and E. Gordon, The Theatre ? advancing, Boston: Little, Brown, and Company, 1919.

C. and E. Gordon, Uber-Marions Unpublished manuscript in two volumes, pp.1905-1906

C. and E. Gordon, Undated Manuscript Annotations

H. Flanagan, Shifting Scenes of the Modern European Theatre, 1928.

H. and M. Mills, Yeats and the Occult The Cambridge Companion to W. B. Yeats. Cambridge, 2006.

C. Innes, Edward Gordon Craig: a vision of theatre, 1998.

K. and N. Natasha, John Paul Cooper: designer and craftsman of the arts and crafts movement, 1999.

L. Boeuf and P. , El Dios Escondido de Craig: aspectos espirituales de la estética craigiana Edward Gordon Craig: el espacio como espectáculo, pp.12-35, 2009.

L. Boeuf and P. , The Über-Marionette: facts and (felicitous) misunderstandings Über-Marionettes and Mannequins: Craig, Kantor and their contemporary legacies. Charleville-Mézières/Lavérune: Institut International de la Marionnette/L'Entretemps, pp.54-62, 2013.

C. Magnin, Histoire des Marionnettes en Europe: depuis l'antiquité jusqu'à nos jours, p.1852

L. Simonson, The Case of Gordon Craig. Theater Guild Magazine, pp.19-20, 1931.

L. Simonson, The Stage is Set, 1932.

T. Spieckermann, The World lacks and needs a Belief: untersuchungen zur metaphysischen ästhetik der theaterprojekte Edward Gordon Craigs von 1905 bis, 1918.